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Sign in Create an account. Syntax Advanced Search. About us. Editorial team. Thesis Eleven 36 1 History of Aesthetics in Aesthetics. Edit this record. Mark as duplicate. Find it on Scholar. Request removal from index. Revision history.
From the Publisher via CrossRef no proxy the. Configure custom resolver. Matthew Crippen - forthcoming - Synthese Robin E. Michalinos Zembylas - - Studies in Philosophy and Education 39 1 Niels Wilde - forthcoming - Human Studies Erik Ringmar - - Philosophia 45 4 On Beauty. Minghua Fan - - Frontiers of Philosophy in China 5 4 Jason E. Smith - - Nordic Journal of Aesthetics 23 Hubertus Tellenbach - - Journal of Phenomenological Psychology 12 2 Christoph Menke - - Fordham University Press.
Hans Kelsen's Concept of the 'Ought'. Robert Alexy - - Jurisprudence 4 2 Atmosphere Effect Re-Examined. Loren J. Chapman - - Journal of Experimental Psychology 58 3 Fundamental and Accidental Symmetries. Fundamental Questions in Aesthetics. Entertainment: A Question for Aesthetics. Richard Shusterman - - British Journal of Aesthetics 43 3 Ananta Charana Sukla - - Rupa. Sells - - Journal of Experimental Psychology 18 4 Added to PP index Total views 13, of 2,, Recent downloads 6 months 8 , of 2,, How can I increase my downloads?
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The Meaning Of A Sound Place. G. Bohme, The Aesthetics Of The Atmosphere
Electronic Music Focus. The theme of space is a cornerstone in the philosophical investigation. It appeals to the world experienced by the subjects in terms of perceptual knowledge, the aim then is never the metrological and scientific analysis of change, but the attempt at clarification of the common sensitive comprehension of those data which the outside world offers to those who meet it. This having been said, space has never ceased to be a current topic, in the two basic forms in which philosophy has investigated it, in the first place the Cartesian spatium understood as the interval between one another and the Aristotelian topos or place.
Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts.